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real trash and thrash

anticipation: in contrast to the "Trash" is the "Thrash" not to waste sondern um eine schnelle, vergleichsweise harte Spielart des "Metal". (Engl. to trash - dreschen, prügeln)

it's time to die
death stands behind the door
satan sends his warriors
demons break out of hell

shrill cries
angel dies
shrill cries
outbreak of evil

with swords and axes
they fight hard
in a massacre
they feel the hot smart

none can survive
people will destroy
souls like hell
where demons make a toy

So lautet der Text Musikstücks „Outbreak of Evil“ der Gelsenkirchener „Thrash-Metal“ Band "Sodom". The text is apparently quite blunt, and the English is adventurous. However, this song is just, as measured by the time of its publication (1984) for many "metal fans (including myself) still unsurpassed" magic moment "of the music dar. But why? (Like the fact that all "metal fans" are bloodthirsty and stupid may be it, although this may be true in isolated cases, certainly.) The statement that the text falls halt "trashy" and therefore "cult" or something like that is easy. But because it is not well. Or at least to some.

A term which in my opinion, is fit very well the charm. The text also like the song, again measured by its time (1984) are charming. It make not only the text and the music from the stimulus. It is also the story trappings. (The course anyone can imagine otherwise.)

I imagine the following: three would-be coal miners and big fans of the "new" heavy-metal bands from Britain and the U.S. are sitting somewhere around the Ruhr-80s who drink probably beer and listen to music. Venom and Metallica or something of that nature suddenly says a "man, that surely we can too. But we do it even harder. And faster. And the texts we make it worse. "The others find the idea.

Trash "is interesting not only because of the fact that he was about" Trash "is. Created by the time the "Trash" impresses with his stories. Whether they are in now way or not. A song like "Outbreak of Evil" in 1984 was quite innovative.

Here is a link to a live recording from the 80s: http://www.youtube.com/watch?v=i64iCgcsmpY

Sources:
http://ec1.images-amazon.com/images/I/61ZKVZK8TJL._AA240_.gif

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Undead - Undead

A since the 13th Century, mainly in Central Europe, widespread belief in a turbulent and damaging to the dead of the "Nachzehrer" or "smacking dead." Nachzehrer and smacking dead are commonly described as the buried corpses, which according to folklore, its shroud or shroud, occasionally also eat parts of her own body for the disease and illness of former village neighbors, friends and to bring relatives. The parties to Nachzehrern people are first ill, until they have withdrawn from the undead by his meal gradually all life force and they finally die. Compared to other undead, and in particular also the vampire, are characterized Nachzehrer and Smoot finished dead mainly because of that they stay during the process of trial in the grave and kill their victims without direct physical contact over a larger spatial distance. Even the Nachzehrer pursued in his "not die" no overarching goals, such as divine salvation, but is limited in his activities alone, "others die to make. "

The actual cause led to the emergence of the phenomenon of smacking Nachzehrer or dead is very spectacular and easy to explain today. As the term "Smoot finished dead" suggests, the belief goes to such a form of "undead-ness" back to the misinterpretation of a series of sounds that are formed during the decomposition process. The dead man was not buried deep enough, the bubbling and gurgling sounds to be heard beyond the grave and quickly appropriate (modern) attempts to explain at hand. raged while still plague or other epidemic in Nachzehrer offered a suitable culprit. In conclusion, we mention that the undead in the form of smacking Nachzehrer or dead, of course, were possible only in areas where the burial was completed.

Sources:
Kreuter, Peter Mario: The vampire belief in Southeastern Europe. Studies on the genesis, significance and function. Romania and the Balkans. Berlin 2001.

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... V

completed in 1961 the Italian artist Piero Manzoni per 30 grams in 90 cans of his own excrement, and shut the air-tight. He then numbered the doses of 1-90 and provided them with a label with the contents auswies as "Shit" and "Merda d'artista". Manzoni sold the cans for the price of gold of equal weight. Manzoni took the view that come the work of every artist from its deepest interior (ironically) literally, and made from garbage art (And this will again waste as defined by the "trash"?)

Sources:
http://www.netzeitung.de/kultur/419540.html
http://www.pieromanzoni.org/opere.htm
http://de.wikipedia.org/wiki/K% C3 % BCnstlerschei% C3% 9Fe

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Undead IV - What makes a zombie?

As shown in the previous entry undead, you can not usually determine for yourself whether you want to be after his death, a zombie or not. As a survivor, if you have all the opportunity to have the bite of the undead, or is knowingly a toxic gas or suspend the like of which we before that we know after a successful contact with the Zombie.

The issue here are meant to be the first self-determination. What distinguishes one of the undead by a living person?

A zombie has a different first appearance: depending on the degree of decomposition, the skin of a "classic" undead or brownish green, usually are a few teeth failed and the clothes are dirty and tattered.

Second, moving a zombie anderst as a living person. Zombies are stiff and not very agile. They move generally slow.

Third, undead, in exceptional cases up to a few words, not speaking. If you encounter any of sighing sounds.

The reason for this, and I'm at the point is the limited, mostly lack of brain activity. The classic undead has only one goal: to eat and in this way to produce new undead. Mostly, so that the blood and the saliva (and probably other body fluids) of the Zombies, which contains one or another type of virus, with appropriate contact with the blood circulation of "normal" humans makes that of the still "normal" person, sooner or later becomes a zombie himself, which it in turn makes the task of producing more zombies.

problem is it here first, then finally when all the previously "normal" people have become zombies. What's in a such a case happened I still must look up.

Sources:
http://macteens.com/gallery/albums/userpics/10104/zombie.jpg

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...

"The masses of luxury garbage make me sick - but still they look intriguing. " On 17 January 2003 undid the successful to date lawyer Chris Jordan to be his license for a photographer. And for a noble cause. Chris Jordan wants to improve the world. With images such as "Cigarette Butts (2005)," he pointed out the insanity of civilization's waste. "On the world per year, four trillion cigarette butts discarded. These are 126,000 in a second. Such a number is abstract. Only when you see it, it will be dramatic, "

sources.
Hein, Barbara: apocalypse in slow motion. In: The Art Arts Magazine February 2006 p. 18-25
.. http://www.chrisjordan.com/

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bone

N oh the first zombie entries with an excursion to a "similar" issue. I now turn to bones. To skulls and bones. And to the collection and storage. But first it's about the movie "Mondo Cane".

As the name suggests, is to "Mondo Cane" is a so-called "Mondo-film", in the case of "Mondo Cane" as much as the first of all "Mondo films," the founder of the "Mondo genre. A "Mondo-film" is distinguished in that it shows a collage-like collection of various individual scenes whose only common at first glance (and usually on the second and third) their curiosity, sensationalism or even seems to be revolting. Gualtiero Jacopettis "Mondo Cane" may perhaps be an exception here, but what does not matter here. This is about the twenty-first scene of the film.

Nestled in a small topic on human bone she begins with the (odd) sentence: "In Rome you to death the mantle of immortality hangs around." Then you see a crack down to the last neatly decorated with human bones vaulted cellar, where the monks of the Capuchin Order, for centuries, "not only the memory but rn store the bones of their dead." This may initially sound a little spectacular. In the "sacred space" such a procedure will also probably not unusual. "A reminder of the transience of life, but also proof of the immortality love that survives death, "as the speaker says in even-tone in the background. For a further comment of the speaker is clear now that it is mainly among the dead plague victims to where they have the monks in the Middle Ages included caring for themselves (and kept her until today). But this only in passing.

opened the real absurdity of the scene, the viewer now in the "annual fashion words. In addition to completely dressed in red from head to toe have masked praying monks, people of all ages (but especially children) gathered to clean all bones and skulls. Accompanied by cheerful music proved they sit happily with brushes and rags in the crypt and clean the bones of the dead, and the disturbing a matter of course.

Sources:
Jacopetti, Gualtiero: Mondo Cane. Italy 1962nd

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Undead III - The Zombie

A "classic" zombie is initially buried in a common man, whose body after his death in normal circumstances it is. Already in place of the funeral now, the cause for the "change" and the resurrection of the dead lie. If the deceased such as buried in a cursed Indian cemetery is certainly expected it sooner or later - to make a living form again - at least physically.

If the corpse is laid on an "average" cemetery to rest, there is - in literature and film - another way of life once again. That of the ritual. Means, of course, most vicious, magic is awakened the dead body of a spell caster. The thing is, that the undead is not after his resurrection, as in the first instance on their own, but is usually his "awakening" grateful subjects.

A third way of becoming-undead is quite fast and is different from the previous to the point that you did not previously, or is very short dead. Often result in failed biological experiments contaminated vapors released from living people for the same result as bewitched Indian burial grounds and dark Beschwörungsritualien.

to target an undead, I come in a later entry.

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...

waste is not the same garbage. It depends on who that leaves out. The picture shows the contents of the dustbin of pop singer Madonna. The museum exhibited "Celebrity Trash", and thus art. (And this will again waste as defined by the "trash"?)

The two Frenchmen Bruno Mouron and Pascal Rostain rummage through the past 15 years, the garbage cans of famous Hollywood stars, music stars and top politicians, and put the findings subsequently a kind of "psychological" together.

Sources:
http://www.berlinonline.de/berliner-zeitung/archiv/.bin/dump.fcgi/2004/0713/vermischtes/0036/index. html
http://relationsmedia.photographie.com/magazine/agenda/112477/img/upload/trash.jpg

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Undead II - attempting to define

"Undead" is, in other words, as much as "not dead". At the same time "undead" not a synonym for "alive" or "alive" dar. (What would all do to living things undead.) "Undead" The term describes a rather paradoxical state between life and death, which is characterized by that the undead both significant features of the "alive-ness" as well as the "dead-ness" has. The undead is thus not (fully) still alive (completely) dead, but always simultaneously dead and alive, and depending on the shape of the undead one side or the other predominates.

Sources:
http://www.heise.de/tp/r4/artikel/18/18924/18924_6.jpg

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Undead I

It is believed that this is the "Trash" is a transient object that after his "death" to waste, before it was finally established in modified form again as long term, is found for this phenomenon hardly a better example than the undeath and the undead. An Elf is first a human being as transitory, mortal in this case object. After his death, the man or his mortal body (expressed dramatically) to waste. His remains will be incinerated and / or kept in places where not bother the living in them. Unlike the burden of household waste storage places dead, although the grief and in memory identified by name and are treated with dignity and respect, yet the space of a corpse (at least in the Western world) is equal to the garbage not within but outside the company. Hand, the dead now in one way or another (several Approaches are discussed below) as the undead back to the living, he loses both his status as garbage (useless remnant) and its status as a man and enters a new status, be a permanent state of man and garbage, the undead " list. There are many forms and variations of the undead in popular belief as pop culture. Corpse-eating ghouls, creepy undead or bloodthirsty zombies. But more about that coming in one entry.

Sources:
Thompson, Michael: garbage theory. On the creation and destruction of values. Essen 2003.

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Trash

My good friend Ingo refused to recently, after he had already seen the first episode, the further reception of sci-fi series "Babylon 5" the comment that this whole "too trashy 'is. When he finally has the episodes had two, three, and finally watched the entire first season, he bought a short hand is a very expensive DVD box set, all seasons (plus the "Tools") includes, and became the major "Babylon 5" fan. This is how "trash".

Sources:
http://epguides.com/Babylon5/cast.jpg