brought the beginning of the decade of hype about the "The band" as they were categorized by music journalists helpless and unimaginative, the opening for The Strokes. In the lee of bands like The Hives, The Vines, The White Stripes and Black Rebel Motorcycle were just clubs. Without "The" in band names. Most bands and remained faithful to their style and are now firmly established (Strokes, White Stripes) or are no longer relevant (Vines).
Only non-The band broke radically with the 2005 album with the sound of the first two drives. were where put on "BRMC" 35 guitars over each other and to "Take Them On, On Your Own" deafened the drums and booming bass like a guitar was played, there was now acoustic guitars, piano and various instruments attributable to the country music genre can be heard. The fan base was delighted. And horrified. "Howl," the fan base was divided into two camps. One loved the band because of the absolutely pure rock 'n roll sound of the albums of 2001 and 2003. The other was done. The development had already indicated, as has been already experimented with folk and country music on the B-sides of singles from 2001 and also "And I'm Aching" from 2003 until then pointed the hidden talent of the band on the territory. left in the lurch by the record company took advantage of the BRMC chance to begin again with an album of subtle tones. On the tour the boys played all the instruments himself, even a very old-sounding harmonium with huge bellows and showed that they had developed into true artists and not intend to drive on the old track to self-abandonment.
The title of "Howl" is the famous poem by Alen Ginsberg borrowed and otherwise hide Hayes, Levon Been and Jago their devotion to the Beatniks to Kerouac, Burroughs and, well, Neal Cassady a bit. The real hits on "Howl" are the lyrics: poems and short stories small, sometimes very associative (Restless Sinner), gloomy (The Line), but also full of romance (Howl).
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